Welcome to the Artist Space

_JAnuary 1 to 31, 2026

Submission for Edition Number 3 now closed

_JAnuary 1 to 31, 2026

Your submission overview for Edition No. 3

_in progress Profile
_in progress Statement
_in progress Artwork
Preview of your artwork details based on your input:
[ Artist ]
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[ Title ]
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[ Opt. Series ]
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[ Medium ]
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[ Year ]
You can come back anytime. "Send Submission" becomes available once everything is complete.

_categories

Working with images in time and space

Image

A single, fixed work or a coherent series created with or through artificial intelligence that exists as one frame and is not time based or in motion. This category includes still images such as digital paintings, photographs, renders, or or representations of sculptural works.

Moving Image

A time based work created with or through artificial intelligence that unfolds through sequence, duration, or narrative. This category includes video, animation, and screen based works presented through a representative still image and a short video excerpt.

Spatial image

A work created with or through artificial intelligence that is experienced in space through presence, scale, or interaction. This category includes installations, performances, and immersive or mixed media environments presented through photographic documentation and supporting video material.

Image by Grit Wolany

_evaluation criteria

From jury evaluation to Golden Tickets

Evaluating creativity and innovation

Our jury evaluates each submission based on creativity, originality, and technical innovation. We are looking for works that open new doors in AI-generated art and embrace bold, fresh approaches. Both artistic vision and mastery of AI tools are considered. The goal is to present a diverse collection that showcases the full range and potential of AI art in all its facets.

Spotlight on unique perspectives

The "Golden Ticket" gives each juror the chance to highlight a piece that brings a unique, perhaps unexpected, perspective. These selections complement the curated works, ensuring that art outside of the consensus is also featured. This way, we capture the full breadth of AI creativity and bring to light distinctive voices that might otherwise remain unseen.

_Artist directory

Interested in being part of the artist directory? Learn what it means and how it works.

Independent from your being choosen for th emagazien or not we offer all artists ... Your profile and statement are only visible with your permission. You can change this anytime.

read more

_Our values

The AI Art Magazine is a platform for innovation, inclusion and creative growth

Number Three is taking shape. If you are working with artificial intelligence across image, moving image, or spatial image, we invite you to share one work with us. There is no theme, just the work you feel closest to. Selected contributions will be carefully curated, edited, and published in the next printed edition of The AI Art Magazine, and shared with readers around the world.

Innovation in artistry

We celebrate the fusion of AI and human creativity, pushing the boundaries of traditional and digital art.

purpose-driven

As a non-commercial initiative, our focus is on fostering a deep connection between art and technology, driven by passion rather than profit.

collaborative spirit

Our platform thrives on collaboration, welcoming contributions from artists, coders, and enthusiasts who share in our vision of AI-enhanced creativity.

diversity and inclusion

We are committed to highlighting a wide range of voices and perspectives, ensuring that our magazine reflects the rich diversity of the AI art community.

Variety in vision

Our selection process is guided by a diverse jury, including an AI juror, to ensure a broad representation of artistic styles and approaches.

Evolving dialogue

We embrace the ever-changing landscape of AI and art, with each issue of the magazine capturing the latest innovations and creative developments.

Digital-physical

While we celebrate the digital origins of AI art, we also honor the tactile experience by bringing these works into a printed format that connects the digital and physical worlds.

Educational insight

Beyond being a gallery of images, our magazine serves as an educational resource, offering insights into the technologies and stories behind AI-generated art.

_SubmisSion is open

No. 3 will be released in spring 2026

Thank you

Thank you for taking part in Edition No. 3 of The AI Art Magazine. We see submissions not as entries to be ranked, but as moments of practice and signals from artists working at the edge of perception, technology, and space. We are grateful you chose to share yours.

Your artist space

During the evaluation phase, it’s not possible to edit your profile or create a new one. Once the jury completes its review, you’ll be able to make updates again. Submissions will remain as they are: a time capsule of your work at this moment.

Artist directory

The Artist Directory is gradually unfolding. If you would like to appear, you can set your visibility to on.
At the moment, the directory is available to artists who have participated in at least one open call.This space will continue to grow with new connections and contexts.

Rights and usage

You retain full copyright of your work! By submitting, you grant The AI Art Magazine a non-exclusive license to publish your work in print, digital formats, and promotional materials. We aim to uplift and showcase your creations, not profit from them. Please read the permission details.

Timeline

In February, our jury will review all submissions for Edition No. 3 of The AI Art Magazine. Selected contributions will be published in the Spring 2026 issue. We will be in touch with all participants once the process is complete, whether selected or not.

selection + Publication

A curated selection of works will be published and distributed internationally. All decisions are made by our jury through careful review and dialogue, shaped by the curatorial focus of this edition.Not being selected does not reflect the quality, relevance, or strength of your work. Each submission is received as part of a broader artistic landscape, and many meaningful practices extend beyond the limits of a single publication.

For any queries regarding submissions, please drop a line we@art-magazine.ai

_Your artwork

About your work and its journey

Fields marked with * are required. Fields highlighted in color show what’s missing.

Moving image [still]

Moving image* [video]

Spatial image

Spatial image

Thank you! Your submission has been received!
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_Your artwork

About your work and its journey

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_Your profile

About the human behind the work

Fields marked with * are required. Fields highlighted in color show what’s missing.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.

_Your profile

About the human behind the work

_Your statement

Map of a moving practice (x, y, z)

Working with artificial intelligence generates both works and positions. Every work brings with it a stance in relation to systems, tools, and the spaces they open up. This invitation asks you to describe where you are right now, where you are heading, and how the space around your practice currently takes shape. This can be approached as a kind of map.

[ x ] A position you occupy
Fragments and continuities, distances and proximities relative to where you stand.

[ y ] A vector you move along
Directions you follow or resist, forces that guide, pull, or redirect your practice.

[ z ] A space in which your practice unfolds
A coordinate system of how your work currently inhabits, deforms, or reshapes the space around it.

Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.

_Your statement

Map of a moving practice (x, y, z)

Working with artificial intelligence generates both works and positions. Every work brings with it a stance in relation to systems, tools, and the spaces they open up. This invitation asks you to describe where you are right now, where you are heading, and how the space around your practice currently takes shape. This can be approached as a kind of map.

[ x ] A position you occupy
Fragments and continuities, distances and proximities relative to where you stand.

[ y ] A vector you move along
Directions you follow or resist, forces that guide, pull, or redirect your practice.

[ z ] A space in which your practice unfolds
A coordinate system of how your work currently inhabits, deforms, or reshapes the space around it.

_Your visibility

The Artist Directory presents artists who work with AI. Here you can decide if you want to be listed.

Why the Directory Exists

The Artist Directory was created to give visibility to artists who work with and around AI, whether they’ve been featured in the magazine or not. It’s part of our effort to document this evolving field and support the people shaping it. The directory helps others discover your work, read your perspective, and understand your practice.

What Being Listed Means

If you choose to be listed, your public profile may include your name (or artist name), your statement, and — if selected — an artwork and background information connected to your submission. We may also display your location and social media handles if you provided them.
Your contact details, such as your email, will never be shown. Visitors will be able to find your profile through a public search on our website.

Your Choice, Always

You’re not listed by default, only if you turn it on. You can update or remove your listing at any time from your dashboard. There’s no deadline, and no obligation. It’s entirely up to you.
This setting only changes how you appear in the public Artist Directory, not your submission. If you choose to be listed, we may show your name (or artist name), location, and social media handles if you’ve provided them.

_Terms

Your permission to publish your work

Introduction

polardots.studio, a creative studio based in Hamburg, has launched "The AI Art Magazine" tocelebrate the art that emerges from the fusion of human creativity and intelligent machines. Theproject is conceived as an open community project in which both the idea and the contributionscome from the community. The project has two main objectives: Firstly, it aims to provide a platformfor artists to share their AI-powered art with a wide audience. Secondly, it aims to providethe public with access, understanding and orientation in this new art form

Submission platform and presentation options

polardots.studio provides a digital platform (submission platform) on which artists can submit their digital works to be published in a print magazine for AI art. A jury will use this platform to select works that will be published in a paid-for print publication. As the project is dynamic and open to contemporary presentation options, accompanying physical and virtual presentation options may also be utilised in the future. Each presentation of the artworks serves to place the art and its artist at the centre of attention.

Rights and use of the works

The artist is the owner of the utilisation and exploitation rights to the uploaded works, inparticular images (after referred to as "works"), which are the subject of this contract. Theworks are protected by copyright. If persons are depicted in the works, these images are additionallysubject to the personal rights and the rights to the own image of the persons depicted. polardots.studio would like to present these works to the public in connection with the websiteit operates and is responsible for, the submission platform https://art-magazine.ai/ (possiblyalso aiartmagazine.com), the social media accounts such as https://www.instagram.com/the.ai.art.-magazine/ and https://x.com/the_ai_art_mag, a print magazine and possibly accompanying physicaland virtual exhibitions. For this purpose, the works may have to be technically prepared andedited (in particular with regard to format and resolution). The rights of the artists remainfully protected.

Against this background, the parties agree as follows:

I. Granting of rights

( 1 )
The artist grants polardots.studio permission to use and present the work for The AI ArtMagazine for an unlimited period of time, space and content and on a non-exclusive basis. The workmay be presented on the website, social media accounts, in print media and in accompanying physicaland virtual exhibitions. This permission covers all known and future possibilities of exhibitionand presentation, both online and offline, including paid online services and freely accessibleinternet and social media platforms. Care will always be taken to preserve and respect thecreative expression and integrity of the work. In particular, the artist grants polardots.studiothe following non-exclusive, temporally and spatially unlimited rights of use: Rights to use thework in "The AI Art Magazine"
(a) Reproduction and distribution: polardots.studio may reproduce the work and make it accessiblein various ways, but only in the context of "The AI Art Magazine". This means that the work may beshown on the magazine's website, social media accounts, in the magazine's print media and atexhibitions within the context of the magazine.
(b) Provision on demand: polardots.studio may store the work and make it available to the publicfor retrieval, but only in connection with "The AI Art Magazine". The work may be stored andtransmitted in all possible databases and networks of the magazine, both analogue and digital.
(c) Public reproduction: polardots.studio may reproduce the work publicly, whether commercially ornon-commercially, but exclusively within the framework of "The AI Art Magazine". The work may bepresented on sound carriers, image carriers, multimedia carriers and other data carriers in allformats and techniques.
(d) Editing: polardots.studio may edit and change the work as long as the integrity and artisticvalue of the work is respected, but only for the purposes of "The AI Art Magazine". For example, the resolution of the work may be optimised for inclusion on the magazine's website and socialmedia accounts.
(e) Advertising: polardots.studio may use the work to promote "The AI Art Magazine", both onlineand offline, for example on television and in print media. However, the work may not be used toadvertise third-party products.
( 2 )
The granting of rights also includes the use of excerpts of the works and use in connectionwith other works.
( 3 )
The artist authorises polardots.studio to use the title of the works as well as the names,titles, logos and images of the artist and the author on the website, the magazine and in advertising for The AI Art Magazine.
( 4 )
In order to ensure smooth communication and timely notification of important developments inconnection with "The AI Art Magazine", the artist is obliged to inform polardots.studio of anychanges to his/her contact information in text form. This ensures that all relevant informationand notifications always reach the correct recipient.

II. Duties of polardots.studio

( 1 )
polardots.studio must name the artist as the author or owner of the exploitation rights tothe works at the place on the website, social media and other publications where he/she incorporates the works. This naming shall be done by means of a lettering in legible size, if possibledirectly next to the respective work.
( 2 )
polardots.studio shall grant the artist free access to the website at any time in order toenable the artist to monitor polardots.studio's obligations. If an access code is required for thewebsite, polardots.studio shall provide this to the artist immediately after the works have beenintegrated into the website, but no later than three working days thereafter.
( 3 )
polardots.studio is committed to making every publication in the spirit of the art and theartists to ensure that the integrity and artistic value of the works are always respected andpreserved.

III. Guarantee of legal ownership, exemption of polardots.studio

( 1 )
The artist guarantees that he/she owns the rights to the works and can grant polardots.studiothe rights in accordance with § 1 of this contract. The artist guarantees that no other personshave rights to the works that could contradict the contract. Furthermore, the artist guaranteesthat no personal rights of third parties are violated by the use of the works and that allpersons depicted agree to the use of the works.
( 2 )
The artist shall indemnify polardots.studio against all third-party claims, in particularclaims for copyright and personal rights infringements, which are asserted against polardots.studioin connection with the use of the works in accordance with this contract. The artist mustinform polardots.studio immediately if he/she becomes aware of any infringements of rights. polardots.studio may itself take measures to defend against third-party claims or to enforce itsrights. The artist must coordinate his/her own measures with polardots.studio in advance. Theindemnification also includes the costs incurred by polardots.studio through legal prosecution ordefence.
( 3 )
The exemptions specified in Para. 2 shall not apply if the third party's claim results fromthe fact that polardots.studio uses the works contrary to the provisions set out in this contract,in particular contrary to Clause I.

IV. Contract term, duration of the granting of rights

( 1 )
This contract has an unlimited term and begins on the date the contract is concluded.
( 2 )
The parties waive their right to ordinary termination. The right to extraordinary terminationremains unaffected.

V. Licence fee

( 1 )
The granting of rights under this agreement is free of charge. The artist shall not receive alicence fee.

VI. Consequences of contract termination

( 1 )
At the end of this licence agreement, all rights of polardots.studio shall revert to the artist.polardots.studio shall return all physical copies of the works to the artist without delay anddelete all digital copies without delay. This does not apply to print media that are alreadyprinted and/or in circulation.

VII. Final provisions

( 1 )
This agreement applies worldwide and is subject to German law. The exclusive place of jurisdictionfor disputes in connection with this agreement is Hamburg, Germany.
( 2 )
There are no verbal collateral agreements to this contract. Amendments or additions to thiscontract must be made in writing to be effective. The same applies to the waiver of this writtenform requirement.
( 3 )
Should any provision of this contract be or become invalid, this shall not affect the validityof the remaining provisions or the contract as a whole. In the event of a loophole, the valid andenforceable provision that comes closest to the legal and economic purpose of this contract shallbe deemed to have been agreed.

_June 2025

Your contribution to Issue No.  2

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About your artwork

About your practice