BASD-ART
Germany
Where do you locate yourself in relation to the systems you work with?
My work is mostly rooted in floral, colorful, and organic visual worlds, but it is not limited to them. Alongside these motifs, I also explore abstract, unsettling, and more ambiguous imagery. Together, they form a loose but recurring core of my practice.
I use artificial intelligence as a creative tool, not as an end in itself. My artistic work runs parallel to a demanding professional life, which means it develops in fragments, pauses, and phases rather than as a continuous flow. This rhythm is part of my position.
Where are you heading, and what is pulling you there?
I am at an early stage of moving from purely digital images toward physical and spatial forms such as projection, installation, light, and movement. This is a developing process rather than an established practice. My long-term goal is to bring my images more fully into physical reality and to explore how they can exist beyond the screen. The direction is clear, even if the process is still unfolding.
How would you describe the space your practice is currently unfolding in?
My artistic practice exists next to my professional work as a designer and creative director. It is self-initiated and not commission-based. At the moment, the work mostly exists digitally, shaped by limited time and available opportunities.
Artist Statement
I started experimenting with AI in 2023.
What hooked me wasn’t the technology, it was the unexpected.
I don’t believe in just typing prompts and waiting.
I remix my own images, edit, cut, reshape and feed them back into the machine.
It’s a back and forth, sometimes a fight, sometimes a dance.
The results are surreal, strange, sometimes beautiful, sometimes off.
That tension is where my work lives.
AI isn’t here to replace me. It’s here to challenge me.
