Bernard BOSC
French Guiana
Where do you locate yourself in relation to the systems you work with?
AI is a tool whose use is still largely taboo.
Personally, I am in perfect harmony with it, with a touch of assertion: fully embracing the possibilities of this creative instrument.
I am free to express my artistic research.
So many terrible things are happening in the world, and AI can become a tool of resistance, a revealer of truth for artists against this societal darkness.
I have used MidJourney and the Freepik platform; today, I mainly use Grok for the creative freedom it gives me, across all subjects.
Where are you heading, and what is pulling you there?
do not yet know where this tool will lead me, but I allow myself to be guided by its infinite propositions, and that is exactly what draws me in.
Having the possibility to experiment with radically different things, to explore my darker side, and to give form to something deeply personal from a creative point of view.
How would you describe the space your practice is currently unfolding in?
I work everywhere, mostly at home, in calm and isolation, without the constraints of social life.
I can also create on my phone during quiet hours at work, because I am constantly searching for new ideas.
These are often rough sketches, drafts, and then, at home, I begin to truly explore the idea.
Artist Statement
I am a photographer, but for a long time, reality felt like a limitation.
Artificial intelligence became a revelation — it is now my inner camera.
With words, I can make visible what once remained silent: images born from waking dreams, tensions, and deep impulses.
This is not an escape, but an intensification of reality.
I create to break the walls between the tangible and the invisible.
Published in >
The AI Art Magazine, Number 3
The Purgatory, AI generation, 2026.
The Purgatory, AI generation, 2026.
Bernard BOSC, The Purgatory, AI generation, 2026
Description
This image comes from a series about what is happening in the world.
Human beings are killed, and for me it was important to represent this human mass — a waste of life, thrown into a bottomless abyss, lost and endless.
In this series, I present walls of human bodies that collapse, that crush and disintegrate.
A purgatory.
Process
What led me to this idea is the news of the past two years, during which human losses have been considerable.
It feels like a collapse of our civilization.
Tools
After MidJourney and Freepik, I have been using Grok since 2026.
Controversial, but for me it has become the ideal tool, without frustration.
Everything can be explored, without prompt constraints, unlike MidJourney and others.
Image credit:
Published in >
The AI Art Magazine, Number 2
, AI generation, .
, AI generation, .
Bernard BOSC, , AI generation,
Image credit:
