Voss

I don’t use AI to replicate reality — I use it to disassemble it. Each image is an excavation. I begin with fragments: a prompt, a memory, a visual intuition. Then I let the system respond — not as a collaborator, but as a mirror with strange physics. I sculpt from what it returns. Sometimes it resists. Sometimes it hallucinates truths I hadn’t considered. That tension — between intention and distortion — is the core of my practice. Working with AI has made me more aware of how identities are coded, filtered, and interpolated — not just in machines, but in us. My portraits are often faceless, or fractured, or impossibly whole. They grieve and glitch in the same breath. I’m not interested in “style transfer.” I’m interested in consciousness transfer. In what happens when emotional truth is threaded through synthetic logic. The work isn’t about AI. It’s about what it exposes in me.