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aibynada

Serbia

Artist Statement

I work inside a machine that rewards beauty. So I gave it what it wanted: soft light, symmetry, skin. The image is beautiful—because it has to be. That’s how it gets close enough to whisper something else. What looks innocent isn’t. What looks still holds a gesture it didn’t mean to show. I’m not resisting aesthetics—I’m bending them. Until the surface begins to slip. I didn’t train a model. I didn’t build a dataset. I only prompted. I stayed inside the box—and made it shift, just enough to shake.

Published in >
The AI Art Magazine, Number 2
We Trained Them to Stand Still, AI generation, 2025
We Trained Them to Stand Still, AI generation, 2025.
aibynada, We Trained Them to Stand Still, AI generation, 2025

Description

This image explores the psychological residue of systems that discipline tenderness into posture. The child, dressed in military uniform, holds a soft toy—not as a symbol of innocence, but as something almost endangered. A shimmer of fractured pixels dissolves the portrait’s surface, hinting at inner dissonance the system failed to suppress. I generated this image using MidJourney, guided by a simple but deliberate constraint: to produce something that appears composed, yet carries a rupture just beneath. No overworking, no spectacle. Just a controlled surface—unsettled by something soft, something strange.

Process

I was tired of making work that meant something—and watching it go nowhere. Online, it’s always the beautiful things that get seen. Not the difficult ones. Not the ones that ask questions. Just the ones that look smooth and polished. So I stopped fighting it. I let the images be beautiful. I used soft light. I followed the symmetry. I made faces that people would want to look at. But underneath, I tried to leave something that wouldn’t settle. A tension. A quiet dissonance. That’s where this project came from.From the need to speak honestly—inside a system that only listens when truth comes wrapped in beauty.

Tools

All visuals were generated using MidJourney, with no further manipulation beyond basic exposure tweaks. I come from a background that’s far more tactile—manual, analog, layered. But here, I wanted to stay inside the frame, to let the machine speak in its own language.

Image credit:
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