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M

Poland

Where do you locate yourself in relation to the systems you work with?

I am a visual artist working at the intersection of art and technology, with a background in photography and photojournalism. Today, AI-based tools are central to my practice, which I treat as active cultural systems that shape perception, narrative, and meaning rather than as neutral instruments.

Where are you heading, and what is pulling you there?

AI allows me to rapidly test my own stories, longings, and intuitions. These internal narratives are often shifting and contradictory, which keeps my fields of exploration in constant motion. Regardless of the subject or medium, my practice frequently and often subconsciously moves toward acts of crossing and transcendence - attempts to step beyond established visual conventions and habitual ways of seeing.

How would you describe the space your practice is currently unfolding in?

My practice unfolds between commercial production and artistic inquiry. I move fluidly between commissioned work and personal research, using the same generative tools in both contexts. This space enables constant reorientation - not toward a single topic, but toward an ongoing process of looking beyond established structures and expectations.

Artist Statement

I'm happy I discovered AI tools early. I'm happy they've boosted my creativity. I'm happy I know how to control them. I'm afraid that, at some point, I won't be needed to control them anymore...

Published in >
The AI Art Magazine, Number 3
, AI generation, .
, AI generation, .
M, , AI generation,

Description

Process

Tools

Image credit:
Essay by
Published in >
The AI Art Magazine, Number 2
ADD LEMON TO GIVE IT SOME FLAVOR, AI generation, 2024.
ADD LEMON TO GIVE IT SOME FLAVOR, AI generation, 2024.
M, ADD LEMON TO GIVE IT SOME FLAVOR, AI generation, 2024

Description

The title of the work, and of the whole series, reminds me of struggle—a life full of hard, dull routine. A bland kind of life where the TV is turned up just so “something is playing in the house,” or lemon is added to water just to give it some taste.

Process

A life without purpose has always been my deepest fear — a fear of falling into emptiness and routine and living without meaning. By creating works that circle around this kind of life, I try to confront my own fear of meaninglessness, while also asking myself, even more deeply, whether meaning exists at all. I use humor and a sense of absurdity not to escape the weight of these questions, but to survive them.

Tools

A simple MidJourney prompt combining only images, depicting faces that reflect sadness, a sense of being lost, and distortion mixed with suburban landscapes. Many of them I had previously created using other AI tools, such as Stable Diffusion.

Image credit:
Essay by