May

I work with systems I can’t fully control, AI models, audio waveforms, generative algorithms, and shape them into something that feels alive. That tension between automation and authorship is central to my practice. I’m not interested in making machines look human, I’m more interested in what happens when the boundary between intention and emergence starts to blur. Most of my work begins with sound. A pulse, a texture, a frequency that slips under language. From there, visuals unfold: flowing, fractal, dissolving. I use tools like AnimateDiff, waveform visualizers, and custom 3D environments to explore the space where perception becomes pattern. What emerges often feels both ancient and digital, abstract and intimate, like a memory you can’t quite place. I’m drawn to ideas of presence, impermanence, and the way technology mirrors the structures of thought itself. Working with AI isn’t about surrendering authorship, it’s about collaborating with a system of possibility, guiding it, filtering it, disrupting it when needed. The work becomes a trace of that interaction: part code, part instinct, part listening. Ultimately, I want the work to hold space for reflection, for curiosity, for a kind of quiet awareness. In a time defined by noise and automation, that feels like its own kind of resistance.