Mindeye

Finland

Where do you locate yourself in relation to the systems you work with?

I stand at the intersection of mutation and accumulation. My practice with AI is rooted in what I call "growing imagery"—a method where I continuously train models on my own previous work, letting images and worlds evolve, reference themselves, and branch into new forms. I'm repurposing entire series I've created over years, feeding them back into different systems to see how they transform. This puts me in a position of proximity to my own archive and distance from the idea of a "finished work." I'm working with AI not as a tool for singular outputs but as an environment for ongoing metamorphosis. Right now, I occupy a space of serious experimentation—learning new digital tools, weaving them together, treating the technical as inseparable from the conceptual. I'm also positioned in critical awareness of AI's environmental impact, but I refuse alarmism. I'm studying sustainable solutions because I believe we move forward with technology, not away from it.

Where are you heading, and what is pulling you there?

I'm being pulled toward immersive, audiovisual work that can hold complexity—pieces that unfold in time and space rather than flattening into single images. My current project, the and., is a long audiovisual loop about two women walking endlessly toward a neon sign in a mutating forest. It's about the conjunction, the "glue" of reality, the refusal of The End. This piece represents where I'm heading: toward work that operates as experimentation itself, where the loop isn't a trap but a laboratory. I'm moving away from the tyranny of social media algorithms and institutional expectations that demand stylistic consistency for marketability. I resist the idea that AI art should congeal into a recognizable "look." Instead, I'm guided by long-developed ideas—concepts I've been holding for years—and I'm trying to find the forms (installations, exhibitions, immersive environments) that can carry them with the power they deserve.

How would you describe the space your practice is currently unfolding in?

My practice inhabits a space of perpetual "Yes, and..."—a refusal of terminal points. It's a continuous becoming. By feeding my imagery back into itself across different systems, I'm building a kind of ecosystem where every output is also an input, every end is also a beginning. It wants to speak about the universe, its evolutionary pulse, its absurdity, its generative chaos, while also reckoning with the material realities of the systems I use. My practice insists that the work can be simultaneously serious, playful, conceptual, and experimental all at once. I want my art to be consious of the world right now as well as seeing it all through the lense of cosmic timelessness.

AI Art experience

AI art is exciting, because it's about collaboration and about tapping into the collective.

Personal experience

Everything I’ve learned and practiced before working with AI has prepared me for it. My background spans films, photography, animation, TV production, multimedia, and contemporary arts. This insatiable curiosity for everything creative—and beyond—helps me communicate my ideas to AI with clarity.

Unexpected thought

Now, when you can create pretty much anything, what will you choose to do?

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Mindeye

Finland