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Powell

Germany

Where do you locate yourself in relation to the systems you work with?

I locate myself as a mediator between an analog and silenced past and the curious and generative present, acting as a curator of the fragmented memories that have been forgotten due to time and trauma. In this project, I stand at the intersection of my family's oral history and AI image generating systems, using the technology to piece together the missing chapter's of my grandmother's life. I actively collaborate with AI technologies such as Midjourney, feeding the system the roughly fifty photographs I have left, and the sixty-year-old testimonies of my relatives as prompts.

Where are you heading, and what is pulling you there?

I am heading towards a deeper understanding of my personal history and of the generational trauma that needs healing. I am pulled by my curiosity to know more about my grandmother as I approach the age of her death and navigate life as a woman with a family history of mental illness. I am motivated by transforming the tragic story of my grandmother dying inside of a mental hosptial to giving voice to a family history in hopes of breaking generational cycles of trauma and mental illness stigma.

How would you describe the space your practice is currently unfolding in?

My practice is unfolding in the liminal space between analog and AI, where memories that impact our bodies and future generations meet the stories we tell to heal from them. I am working within a framework that explores how AI technologies can serve as a means of navigating personal histories and remembering the silence of our past.
Published in >
The AI Art Magazine, Number 3
Betty Jane, AI generation, 2025.
Betty Jane, AI generation, 2025.
Powell, Betty Jane, AI generation, 2025

Description

This collection of photographs comes from a larger project called "Betty Jane," which using AI-generated images as a means of reconstructing memories of my grandmother, exploring how this technnology can help navigate personal histories and fragmented memories. Betty Jane died at the age of 34 inside of a mental hospital. The documentation that remains of her life is roughly fifty surviving photographs and more than sixty-year-old memories from her niece, Ann, and her four children: Mike, Mary, Jim, and my father, Bob. Through the collection of their memories and stories of Betty Jane, I used AI to recreate the visuals of memories of her that explore the stigma of mental illnesses that can be passed down through generations.

Process

For most of my life, the only things I knew about my grandmother were that I was named after her and that she died inside of a mental hospital. As I approach the age of her death, and navigate life as a woman with a family history of mental illness, my curiosity of who she was and what happened to her has grown. With the help of artificial intelligence, this project was a way of me weaving together what remains of Betty Jane, as well as to futher explore my own personal history and begin healing generational trauma.

Tools

The photographs in this series are were made in Midjourney, using the roughly fifty photographs that I have of Betty Jane as a moodboard. I gathered memories through conversations with Betty Jane’s children and niece. Their stories, shared in fragments, recollections, and direct quotes, became the foundation for this project. As I listened, I began to form my own sense of Betty Jane, shaped as much by imagination as by memory. I translated their words sometimes verbatim, sometimes interpreted and summarized into prompts for Midjourney, allowing the AI to generate visuals of a life that has little documentation left.

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