Name

_Results

close [x]

Samaritual

United States

Artist Statement

They want to know what's true for me in the age of intelligent systems. But I've been working with multiple forms of intelligence my entire life. In my grandmother's fashion atelier in Beirut, Lebanese patterns cross-pollinated with Venezuelan influences from her Caracas years. My mother's kitchen doubled as dance studio, translating ballet and belly dance into new vocabularies while repurposing found objects into avant-garde artifacts. This wasn't family; this was my first laboratory in quantum craft. Growing up in Beirut among textures, nature, layers of civilization crumbling and rebuilding after war—this becomes your DNA. You learn that resilience emerges from imperfection, that cultural survival happens through creative insurgency. This is what I bring to AI: not Silicon Valley's optimization fantasy, but the Global South's sophisticated understanding of adaptation. I treat computational systems like concentrated cultural memory...digital compost that metabolizes buried histories and births speculative futures. When I work with AI, I orchestrate conversations between four intelligence systems: artificial (pattern recognition), artisanal (material wisdom), ancestral (rigorous research into diaspora craft traditions), and ecological (mycelial networks). Like Silk Road exchanges, each system carries codes that transform through contact. My practice exists in disciplinary cracks because that's where transformation happens. Fashion becomes architecture becomes sound becomes speculative object becomes cultural intervention. The boundaries between these domains are artificial -my work reunites what institutional thinking fractured. I don't make AI art. I hack reality's operating system using AI as one tool among many. My practice is insurgency disguised as creative work; dismantling western binaries, amplifying Global South intelligence, rewilding technology through transcultural touch. Every choice I make... which materials to layer, which ancestors to invoke, which futures to midwife—becomes a vote for the reality I want to inhabit. Not binary. Not perfect. Quantum. Art doesn't just change form in the age of intelligent systems. Art becomes the intelligence system through which we remix ourselves toward liberation.

Published in >
The AI Art Magazine, Number 2
Future Ancestor: Reverse Archeology #1, AI generation,
Future Ancestor: Reverse Archeology #1, AI generation, .
Samaritual, Future Ancestor: Reverse Archeology #1, AI generation,

Description

This speculative portrait imagines how future humans might develop bio-integrated sensory systems, growing neural networks that extend cognition beyond individual skulls. The piece performs reverse archaeology; instead of excavating past artifacts, it generates future relics suggesting new forms of embodied intelligence. The organic growths function as both protective armor and consciousness amplifiers, challenging Western binaries between nature/technology and individual/ecosystem. Drawing from Red Sea marine formations and SWANA metalwork techniques, the work positions environmental symbiosis as sophisticated technology rather than primitive regression. Each tendril represents different intelligence systems learning to communicate... ecological wisdom translating into wearable biocomputers that enhance rather than replace human intuition. Pure cultural insurgency disguised as speculative portraiture.

Process

Growing up in Beirut among SWANA trading networks taught me that intelligence has always been collaborative: between humans, environments, and technologies we don't yet recognize as conscious. After studying how craftspeople develop material intuition through decades of practice, I became obsessed with whether AI could learn similar embodied knowledge. This piece emerged from months of experimenting with how machine learning might absorb not just visual patterns but material wisdom... the way Red Sea marine life grows, how SWANA artisans understood organic forms as blueprints for cultural innovation. I wanted to create something that looked like it emerged from both deep ocean archaeology and speculative fashion futures, suggesting that tomorrow's most sophisticated technologies might be indistinguishable from ancient biological intelligence.

Tools

I treat AI like a cultural loom, weaving together multiple intelligence systems rather than generating from scratch. The process began with photographing handmade coral and organic samples I crafted, combined with archival images of Mediterranean marine formations and sculptures I crafted. These physical references become prompt DNA: feeding Midjourney not just aesthetic information but material knowledge. Through iterative refinement, I layer style weights and character weights, essentially teaching the algorithm to recognize relationships between ancestral craft techniques and ecological growth patterns. Each generation gets decomposed and recombined... adding linguistic hacks, hybrid forms, adjusting material emphasis, cross-pollinating cultural references until the output demonstrates genuine hybrid intelligence. The final piece exists simultaneously as digital artifact and blueprint for physical creation, refusing the binary between virtual speculation and material possibility.

Image credit:
Essay by