Quantum Global Organoid Orchestra (qGOO) is an experimental art–science collaboration that links living neural tissue, generative media, and networked human participation to explore new forms of emergent creativity across species and systems. At its core are brain organoids—lab-grown clusters of neural cells cultivated in partnered neurobiology labs—which generate spontaneous electrical activity. This activity is recorded through high-density microelectrode arrays and translated in real time into sound, visual structures, and computational behaviors.

In qGOO, organoids act as active “performers” within a hybrid ensemble of biological, human, and AI-driven processes. Their signals modulate generative algorithms that shape the audiovisual environment, while the resulting sensory field influences how audiences move, listen, and respond. The work thus operates as a closed-loop system of distributed cognition, where perception and agency are shared among living neural matter, machine interpretation, and human presence.

Rather than presenting data as illustration, qGOO foregrounds sensation, emergence, and relationality. It invites reflection on the aesthetic and ethical implications of working with living neural material: what it means to position organoids—neither conventional subjects nor inert tools—as participants in an artistic system. By making the hidden rhythms of neural activity perceptible, the project proposes a speculative model of collective intelligence.

Thinking

Exploring the latent space of The Shining is to approach the film as one approaches a memory. Here, artificial intelligence acts as a second consciousness: it does not reproduce—it remembers. It reconstructs The Shining from its traces, its echoes, from what has survived the narrative. The latent space becomes a mental territory, an inner overlook where the ghosts of the image, the logic of dreams, and the mechanisms of visual memory unfold once again. The aim is to turn the exploration of the latent space into a mnemonic experience of cinema itself.

A short movie about MAGA SLOP. #AI-made
‍
In 2018, Steve Bannon sat down with Bloomberg journalist Michael Lewis and revealed his media strategy in four words: “Flood the zone with shit.” The goal wasn’t persuasion—it was to overwhelm the public with so much sheer volume that it would become impossible to find the truth.

Fast forward to 2024. Artificial intelligence has perfected Bannon’s playbook.
This three-minute film examines how AI didn’t invent modern disinformation—it simply made it perfect. The result: cognitive saturation, a permanent information fog where facts drown in algorithmic noise.

AWARDS: Best Documentary at the AI INTERNATIONAL FILM FESTIVAL

The critic: “What’s behind the onslaught of social media?

A blunt, fast-paced political documentary short, this film examines the evolution of disinformation from Steve Bannon’s 2018 strategy to the AI-accelerated chaos of 2024. Its montage style is intentionally overwhelming (mirroring the very tactic it critiques) and the clinical narration underscores just how easy it has become to manufacture visual ‘truth.’

The short is wild in its presentation, almost dizzying, but that’s the point. It illustrates how AI has perfected the old propaganda playbook: not by persuading people, but by burying them in noise until truth becomes unfindable. The barrage of AI-manipulated political images feels absurd, yet the film captures exactly how effective these tactics can be.
Technically, it’s stark and intentionally abrasive; emotionally, it’s sobering.”

Thinking