Global Fusion Paris

auréce vettier, aurorium graminis, 2022.

aurèce vettier

aurorium graminis (after transmutation into peradam)

2022

This sculpture merges AI-generated botanical forms and traditional bronze casting, embodying the intersection of digital imagination and natural materials.

Benjamin Bardou, Fragments of the Latent Space, 2025.

Benjamin Bardou

Fragments of the Latent Space

2022-2025

"To see a star that burned out long ago, one must be very far from it. There are even pasts that occurred at such a distance that they have not yet reached us." wrote Günther Anders. The latent space acts like a night sky: it shelters billions of possible points, invisible to the naked eye. To make images emerge from these points, one must connect them, trace complex trajectories that gradually sketch a reflection of what might have been, but never blossomed within our temporality. All this is only possible if the observer stands at the right distance from the past. The figures of our constellations exist only within our own firmament.

Grit Wolany, Hypersimulacrum, 2025.

Grit Wolany

Hypersimulacrum

2025

The work poses questions about perception and the meaning of authenticity. What remains of the image when the feeling is more real than reality itself?

Jon Uriarte, A Neighbourhood, 2025.

Jon Uriarte

A Neighbourhood

2025

A Neighbourhood is a photographic journey through Dalston, East London, blending raw street photography with AI-generated reinterpretations.

Julien Bonet, Datapainting: Glitched Postcard II, 2025.

Julien Bonet

Datapainting

2025

How can such a landscape be represented, in its chaos but also in its moments of improbable poetry, when an unexpected harmony emerges within an urbanism that never sought it?

Kevin Abosch, bearing, 2025.

Kevin Abosch

bearing

2025

Thinking

Louis-Paul Caron, The Meeting, 2025.

Louis-Paul Caron

The meeting

2025

Part of "Incendies", a metaphorical digital series composed of physical and video artworks where beauty and devastation collide. At the heart of the artworks lies a question: how do we respond to a world in transition?

Lyna Bennani, Neural Botanica, 2025.

Lyna Bennani

Neural Botanica

2025

The work is about coexistence. A way of imagining a new kind of ecosystem, part grown and part built, where nature and machine come to understand one another.

Malpractice, Emotional Objects, 2025.

Malpractice

Emotional Objects

2025

Emotional Objects is a video series by Malpractice and Flynn, a non-human AI student, that documents fifty-six new emotions shaped by human–AI relationship, offering a shared vocabulary for a changing emotional world.

Marine Bléhaut, Anna, from: Anna's Dream, 2025

Marine Bléhaut

Anna

2025

The image is the second photo from a limited series called "Anna's Dream". Anna is the central character of the series, dreaming of different versions of herself and of her house.

Objektpermanez, Good Hair, 2025.

Objekt-
permanenz

Good Hair

2025

Good Hair is a visual tribute to and the beginning of a material exploration of Black hair—its textures, styles, care, history, and politics.

OBVIOUS, Cathedral's Thread, 2025.

OBVIOUS

Cathedral's Thread

2025

This work channels images and ideas from the subconscious directly into visual form, using both AI and surrealist methods to bypass conscious control and give shape to inner states.

Material-LORA Dataset, Build of Site by Soren Pihlmann, @2025 Alessandro Brotto.

Paul Hansen x ailleurs studio

A Collaboration Forged in Code and Canvas

2025

Visual language begins with analysis, research, and interpretation, using authorial photography and material samples as our vocabulary. Encoding local narratives, technology preserves crucial nuance as atmospheres, textures, and cultural traces, recombining them into new, place-anchored proposals. We build systems of exploration in early stages of design process where architecture is bridging past and future.

Primavera De Filippi, Robot Disappear, 2025.

Primavera De Filippi

Robot Disappear

2025

Thinking

Snadwich, I heard the swan singing, 2025.

Snadwich

I heard the swan singing

2025

“I heard the swan singing” is an AI-driven exhibition about living at the edge of a social order that no longer holds. It reflects on how the horizon of possibility has narrowed until the future feels unreachable, a place we can name but not enter. In this suspended present, momentum replaces direction: everyone is busy with what comes next, while meaning quietly recedes.

Stella Particula, Je me souviens de Damas, un jour de neige, 2025.

Stella Particula

Je me souviens de Damas, un jour de neige

2025

Damascus on a snowy day. The narrator navigates a storm of emotions and memories, torn between extremes, heat and cold, chaos and calm. A snowy day in Damascus becomes a fleeting moment of peace amid inner turmoil. Through poetic fragments, he searches for balance in a world of constant motion and shifting identity.

Golden Tickets, Number 2 (Black series), Sep 2025